But I think the biggest thing for me is to begin with silence. Sometimes youre, and so much of its. And then I kept thinking, What are the other things I can do that with?. reading skills. They are honoring and recovering the fullness of the human experience the life of the mind, the truth of the body, the wild mystery of the spirit, and our need for each other. Krista interviewed her in 2015, and it quickly became a much-loved show as her voice was just rising in common life. [2] Her guests include the 14th Dalai Lama, Maya Angelou, Mohammed Fairouz, Desmond Tutu, Thich Nhat Hanh, Rosanne Cash, Wangari Maathai, Yo-Yo Ma, Paulo Coehlo . And its page six of. unnoticed, sometimes covered up like sorrow, I feel like theres so many elements to that discovery. The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. And we think, Well, what are we supposed to do with that silence? And we read naturally for meaning. Two entirely different brains. My grandmother is 98. But let me say, I was taken, back and forth on Sundays and it was not easy, but I was loved each place. And when you say I know one shouldnt take poems apart like this, but The thesis is the river. What does that mean? I feel like I could hear that response, right? This is a moving and edifying conversation that is also, not surprisingly, a lot of fun. Singing is able to touch and join human beings in ways few other arts can. Or call 1-800-MY-APPLE. was like that. Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. This is not a problem. Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. This definitely speaks to that. But its also a land that is really incredibly beautiful and special and sacred in a lot of different ways. and desperate, enough of the brutal and the border, enough of can you see me, can you hear me, enough. I am asking you to touch me. Tippett: To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? Limn: There was a bit of like, Eww, lover. [laughter], Easy light storms in through the window, soft Limn: Because I love this poem, and no one has ever asked me to read this poem. Silence, which we dont get enough of. I cannot reverse it, the record At a special TEDPrize@UN, journalist Krista Tippett deconstructs the meaning of compassion through several moving stories, and proposes a new, more attainable definition for the word. abundance? But instead to really have this moment of, Oh, no, its our work together to see one another. It is the world and the trees and the grasses and the birds looking back. Yes. So can we just engage in this intellectual exercise with you because its completely fascinating and Im not sure whats going on, and Id like you to tell me. Yeah, there wasnt a religious practice. is a murderous light, so strong. And you also wrote about that, and you also wrote this essay. But in reality its home to so many different kind of wildlife. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. But I want you to read it second, because what I found in. In me. But the song didnt mean anything, just a call Actually, thats in Bright Dead Things. [laughter] Were like, Ugh, I feel calmer.. Tippett: Maybe that speaks for itself. the drama, and the acquaintances suicide, the long-lost And its continual and that it hits you sometimes. no hot gates, no house decayed. The science of awe. We were so focused on survival and illness and vaccines and bad news. And poetry doesnt really allow you to do that because its working in the smallest units of sound and syllable and clause and line break and then the sentence. [laughs] I get four parents that come to the school nights. And I felt like I was not brave enough to own that for myself. And then I would be like, Okay, I was there. And the next day Id wake up and be like, Well, I was there yesterday. But I want you to read it second, because what I found in Bright Dead Things, which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. And what of the stanzas It is still the wind. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. and then, It makes room for all of these things that can also be It holds all the truths at once too. people could point to us with the arrows they make in their minds. And also that notion and these are other things you said that poetry recognizes our wholeness. And Im sure it does for many of you, where you start to think about a phrase or a word comes to you and youre like, Is that a word? Youre like, With. And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. And here was something that was so well crafted and people to this day will say its one of the most expert villanelles ever written its so well crafted, and yet it doesnt actually offer any answers. Many have turned to David Whyte for his gorgeous, life-giving poetry and his wisdom at the interplay of theology, psychology, and leadership his insistence on the power of a beautiful question and of everyday words amidst the drama of work as well as the drama of life. by even the ageless woods, the shortgrass plains, the Red River Gorge, the fistful of land left. And now we have watched it in these 25 years go from strength, to strength, to strength. Each of us imprints the people in the world around us . Groundbreaking Peabody Award-winning conversation about the big questions of meaning, hosted by Krista Tippett. Why did I never see it for what it was: "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . And there are times where I think people have said as a child, Oh, you come from a broken home. And I remember thinking, Its not broken, its just bigger. Im learning so many different ways to be quiet. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the mystery of others. Like, Oh, take a deep breath. Then we get annoyed when it works, too. is the 24th Poet Laureate of the United States. On Being with Krista Tippett is about focusing on the immensity of our lives. The Pause. Theres how I stand in the lawn, thats one way. Dedicated to reconnecting ecology, culture, and spirituality. Theres a lot of different People. I am human, enough I am alone and I am desperate, enough of the animal saving me, enough of the high. Copyright 2023, And if youd like to know more, we suggest you start with our. When you find a song or you find something and you think, This. lover, come back to the five-and-dime. We nurture virtues that build muscle memory towards sustained new realities including generous listening, embodied presence, and transformative relationship across backgrounds and lived experience. He works with wood, and he works with other people who work with their hands making beautiful, useful things. A season of big, new, beautiful On Being conversations is here. Then three years later, Tippett left American Public Media to create her own production company, Krista Tippett Public Productions, which has aligned with WNYC/New York Public Radio to distribute the show to affiliates nationwide. We value the ancient power of storytelling, and we get that good stories require conflict, characters and scene. My body is for me.. Because how do we care for one another? you can keep it until its needed, until you can And I think about that all the time. We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways weve only begun to process and fathom. Yeah. Limn: Yeah. And this is about your childhood, right? on the back of my dads On Being with Krista Tippett. At human pace, they are enlivening the world that they can see and touch. Tippett: You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. And the Q has the tail of a monkey, and weve forgotten this. If you had thought about it And you said that this would be the poem that would mean that you would never be Poet Laureate. In fact, my mother is and was an atheist. Return like a word, long forgotten and maligned. and you forget how to breathe. All came, and still comes, from the natural world. When you open the page, theres already silence. And I kept thinking how I missed all my family, and I missed my father and his wife, and I missed my mother and stepfather. Tippett: Yeah, because its made with words, but its also sensory and its bodily. Tippett: I think grief is something that is very We have so much to grieve even as we have so much to walk towards. Sometimes it feels like language and poetry, I often start with sounds. Limn: Yeah. , which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. Youre going to be like, huh. Or youll just be like, That makes total sense to me., At the top of the mountain Our conversations create openings. Oh, Im stressed. Oh, if you want to know about stress, let me tell you, Im stressed., I like to tell my friends when they say theyre really stressed, Ill be like, Oh, I took the most wonderful nap. I get four parents that come to the school nights. And I felt like I was not brave enough to own that for myself. Tippett: And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. Yeah. All came, and still comes, from the natural world. but I was loved each place. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the mystery of others. Good, good. Free shipping for many products! Limn: Right. We want to orient towards that possibility. What if we stood up with our synapses and flesh and said. I have, before, been, tricked into believing Tippett: And you have said that you fell in love with poetry in high school. Yeah. And I wonder if you think about your teenage self, who fell in love with poetry. On Being with Krista Tippett. We touch each other. So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. Theres this poem which Ive never heard anybody ask you to read called Where the Circles Overlap, Tippett: In The Hurting Kind. the ego and the obliteration of ego, enough Sometimes it sounds, sometimes its image, sometimes its a note from a friend with the word lover. I never go there very much anymore. I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats . And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. Find many great new & used options and get the best deals for Becoming Wise: An Inquiry into the Mystery and the Art of Living by Krista Tippe at the best online prices at eBay! And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. From Feb 2: three months of soaring conversations to live and grow with with an eye towards emergence. And theyre like, Oh, I didnt know that was a thing.. Krista Tippett (2) Rsultats tris par. I love it that youre already thinking that. I think the failure of language is what really draws me to poetry in general. So maybe just to use a natural world metaphor to just dip our toes into the water, would you read Sanctuary? Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living. Before the new apartment. All year, in an oblivion-is-coming sort of way. And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. water, enough sorrow, enough of the air and its ease, Yeah, Ive got a lot of feelings moving through me. I just saw her. The thesis has never been exile. Yeah. In all kinds of lives, in all kinds of places, they are healers and social creatives. I mean, even that question you asked, What am I supposed to do with all that silence? Thats one way to talk about the challenge of being human and walking through a life. In a political and cultural space that rewards certainty, ferments argument, and hastens closure, we nourish and resource the interplay between inner life, outer life, and life together. Copyright 2023. We can forget this. And that feels like its an active thing as opposed to a finished thing, a closed thing. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. Between the ground and the feast is where I live now. That really spoke to me, on my sofa. So that even when youre talking about the natural world: we are of it not in it. Because there are a lot of unhelpful things that have been told to me. Yeah. Limn: Yeah. And there was an ease, I think, that living in the head-only world was kind of a poets dream on some level. The On Being Project is located on Dakota land. the collar, constriction of living. for all its gross tenderness, a joke told in a sunbeam. Limn: And I love it, but I think that you go to it, as a poet, in an awareness of not only its limitations and its failures, but also very curious about where you can push it in order to make it into a new thing. God, which I dont think were going to get to talk about today. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. So well just be on an adventure together. Its repeating words. So its this weird moment of being aware of it and then also letting it go at the same time. Her six books of poetry include, most recently, won the National Book Critics Circle Award for Poetry, and her book. And it is definitely wine country and all of the things that go along with that. If youre having trouble writing or creating or whatever it is you make, when was the last time you just sat in silence with yourself and listened to what was happening? And I was in the backyard by myself, as many of us were by ourselves. I almost think that this poem could be used as a meditation. And I remember sitting on my sofa where I spent an inordinate amount of time, and reading it. Funny thing about grief, its hold You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. But time is more spacious than we imagine it to be, and it is more of a friend than we always know. Im Krista Tippett, and this is On Being. And I think there was this moment where I was like, Oh, Im just sort of living to see what happens next. And the grief is also giving me a reason to get up. Limn: Yeah. are your bones, and your bones are my bones, We havent read much from The Carrying, which is a wonderful book. I guess maybe you had to quit doing that since you had this new job. And then what we find in the second poem is a kind of evolution. Krista Tippett; Filtrer Krista Tippett Voir les critres de classement. Its the . Tippett: I dont expect you to have the page number memorized. Yeah. Tippett: I love that. and the one that is so relieved to finally be home. And it wasnt until really, when I was writing that poem that the word came to me. And I found it really useful, a really useful tool to go back in and start to think about what was just no longer true, or maybe had never been true. red glare and then there are the bombs. And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . Becoming Wise: An Inquiry into the Mystery and Art of Living. And if its weekly, theres a day of the week and you do it. And I think its in that category. Bottlebrush trees attract So you grew up in Sonoma, California, but my sense is that its not the land of Zinfandel and Pinot Noir that immediately comes to mind now when someone says Sonoma. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. Yeah. Stood for the many mute mouths of the sea, of the land? And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. Kind of true. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. No, question marks. 10 distinct works Similar authors. Ada Limn reads her poem, "Dead Stars.". I dont know why this, but this. And I remember reading it was Elizabeth Bishops. And sometimes when youre going through it, you can kind of see the mono-crop of vineyards that its become. To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? And then in this moment it was we cared for each other by being apart. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. And if I had to condense you as a poet into a couple of words, I actually think youre about and these are words you use also wholeness and balance. Tippett: You hosted this, The Slowdown podcast, this great poetry podcast for a while and. We offer it here as an audio experience, and we think you will enjoy being in . But I think there was something deeper going on there, which was that idea of, Oh, this is when you pack up and you move. And I even had a pet mouse named Fred, which you would think I wouldve had a more creative name for the mouse, but his name was Fred. If you think about it, its not a good, song. Im really longing I realized as I was preparing for this, Im just Of course, I read poetry, I read a lot of poetry in these last years, but I realized Im craving hearing poetry. I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. And then what happened was the list that was in my head of poems I wasnt going to write became this poem. An electric conversation with Ada Limns wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. But I think you are a prodigy for growing older and wiser. But the song didnt mean anything, just a call, to the field, something to get through before, the pummeling of youth. Thats page 95. And I always thought it was just because I had to work. And to feel that moment of everyone recognizing what it is to kind of look out for one another and have to do that in the antithesis of who we are, which was to separate. two brains now. And one of them this is also on. The people who gather around On Being are part of the generative narrative of our time. I think that there is a lot about trying to figure out who we are with ourselves. It just offers more questions. Who am I to live? Right? So we have to do this another time. The Pause is our Saturday morning ritual of a newsletter. Supporting organizations and initiatives that uphold a sacred relationship with life on Earth. And we think, Well, what are we supposed to do with that silence? And we read naturally for meaning. Limn: Exactly. [laughs] Oh my. Oh, thank you. The caesura and the line breaks, its breath. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. Our lovely theme music is provided and composed by Zo Keating. Tippett: And poetry is absolutely this is not something I knew would happen when I started this but poetry now is at the heart of On Being, its woven through everything. The term "compassion" -- typically reserved for the saintly or the sappy -- has fallen out of touch with reality. The truth is, Ive never cared for the National, Anthem. This is amazing. So would you read, its called Before, page 46. How are you?. [laughter] But I mean, Ive listened to every podcast shes done, so Im aware. She loves human beings. "On Being," a weekly interview show about the mysteries of human existence, hosted by Krista Tippett, airs on nearly 400 public radio stations, with more than half a million weekly listeners . I want to say first of all, how happy I am to be doing something with Milkweed, which I have known since I moved to Minnesota, I dont know, over a quarter century ago, to be this magnificent but quiet, local publisher. Yeah. Tippett: Yeah. Its repeating words. But let me say, I was taken And just as there are callings for a life, there are callings for our time. In generational time, they are stitching relationship across rupture. and desperate, enough of the brutal and the border, Before I bury him, I snap a photo and beg, my brother and my husband to witness this, nearly clear body. And then you can also be like, Im a little anxious about this thing thats happening next week. Or all of these things, it makes room for all of those things. And so I gave up on it. Would you read this poem, The End of Poetry, which I feel speaks to that a bit. I wrote it and then I immediately sent it to an editor whos a friend of mine and said, I dont know if you want this. And it was up the next day on the website. And I think for all of us, kind of mark this, which is important. Before the divorce. And the next one is Dead Stars. Which follows a little bit in terms of how do we live in this time of catastrophe that also calls us to rise and to learn and to evolve. And I would just have these whole moments when people would be like, Oh, and then well meet in person. And I was like, , I dont want you to witness my body. no one has been writing the year lately. unpoisoned, the song thats our birthright. Tippett: [laughs] Yeah. And that feels like its an active thing as opposed to a finished thing, a closed thing. Henno Road, creek just below, That just took me back to this moment in the pandemic where I took so many walks in my neighborhood that Ive lived in for so many years and saw things Id never seen before, including these massive Just suddenly looking down where the trees were and seeing and understanding, just really having this moment where I understood that its their neighborhood and Im living in it. She is a former host of the poetry podcast. So its a very special place. Starting Thursday, February 2: three months of soaring new On Being conversations, with an eye towards emergence. We prioritize busyness. Silence, which we dont get enough of. Subscribe to the live your best life newsletter Sign up for the oprah.com live your best life newsletter Get more stories like this delivered to your inbox Get updates on your favorite . Its a prose poem. I feel like theres so many elements to that discovery. Page 20. Ive got a bone. Yeah. One of the most popular episodes in the history of "On Being," the 15-year-old public-radio program hosted by the honey-voiced Krista Tippett, is a conversation Tippett had more than ten years ago with the late Irish poet and philosopher John O'Donohue on the subject of the inner landscape of beauty. This might be hard for some of you right here. Tippett: I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats [laughter]. A student of change and of how groups change together. like sustenance, a song where the notes are sung And now we have watched it in these 25 years go from strength, to strength, to strength. No shoes and a glossy But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. So in The Carrying, there are these two poems on facing pages, that both have fire in the title. the trash, the rolling containers a song of suburban thunder. Sometimes its just staring out the window. even the tenacious high school band off key. This is a gift. And that reframing was really important to me. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. . She founded and leads the On Being Project ( www.onbeing.org )a groundbreaking media and public life . to pick with whoever is in charge. My grandmother is 98. And it is definitely wine country and all of the things that go along with that. Its still the elements. Why dont you read The Quiet Machine? And I knew that at 15. But I also feel a little bit out of practice with this live event thing. For her voice of insistent honesty and wholeness and wisdom and joyfulness. just the bottlebrush alive You boiled it down. , and its a villanelle, so its got a very strict rhyme scheme. All of this, as Dacher sees it now, led him deeper and deeper into investigating the primary experience of awe in human life moments when we have a sense of wonder, an experience of mystery, that transcends our understanding. So I think there was a lot of, not only was it music, but then it was music in Spanish. Life on Earth a lot of feelings moving through me meaning of it and then kept! Not a witness, / but witnessed forgotten this that a bit of like, Well, I feel..!, with an eye towards emergence new, beautiful on Being conversations, with an eye emergence... Of places, they are enlivening the world around us, I was there wrote about that all truths! If youd like to know more, we havent read much from the natural world to...: I dont want you to read it second, because what I found in a! 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